Spanish Realist/Impressionist Painter, 1863-1923  Related Paintings of Joaquin Sorolla :. | Portrait | Ayamonte | art dealer Jacques Seligmann | Typical Galician | Bernardo Martinez Infante |
Related Artists:
BASSETTI, Marcantonio
Italian painter, Veronese school (b. 1588, Verona, d. 1630, Verona) Italian painter. He was a pupil of Felice Brusasorci (Ridolfi), but he soon moved to Venice, where he studied the art of Jacopo Tintoretto in particular, but also that of Jacopo Bassano and of Veronese, whose works he copied in chiaroscuro drawings (mainly Windsor Castle, Royal Lib.) similar to those of Domenico Tintoretto. Bassetti's early painted Portrait of a Man with a Glove (Verona, Castelvecchio) is essentially Venetian, close to the art of Bassano.
Leonardo Coccorante
Italian, 1680-1750 , Active in Naples during the frist half of the 18th Century Active in Naples during the frist half of the 18th Century .was an Italian painter who was born in Naples, Italy. He studied with Jan Frans van Bloemen (1662-1749), Angelo Maria Costa (1670-1721), and finally with Gabriele Ricciardelli (active between 1741 and 1777). From 1737 to 1739, he was employed decorating the royal palace of Naples. Coccorante died in Naples in 1750. He is best known for his large highly detailed landscapes with imaginary classical architectural ruins. He often included small figures in the foreground to emphasize the expansiveness of the ruins. Coccorante is classified as a veduta (or vista) painter. The Honolulu Academy of Arts, the Louvre, the Lowe Art Museum (Coral Gables, Florida.), Mus??e d??partemental de l'Oise (Beauvais, France), Mus??e de Grenoble (Grenoble, France), Museo Regionale Agostino Pepoli (Trapani, Italy), and Pinacoteca del Castello Sforzesco (Milan, Italy)
Matteo Rosselli
Italian Baroque Era Painter, 1578-1650 Italian painter. An influential artist of the early 17th century in Florence, he is described by the early sources as being of a gentle disposition and as a dedicated and dignified painter, although he lacked originality and power. His work is characterized by the simplicity, descriptive naturalism and refined colour of the Counter-Reformation art created by such Tuscan artists as Santi di Tito, Bernardino Poccetti, Lodovico Cigoli and Domenico Passignano, yet he was also responsive to Venetian and Emilian art. The son of Alfonso Rosselli and Elena Coppi, he received his early education in Gregorio Pagani's studio, which he attended from as early as 1587. His initial inclination was towards classical and balanced compositions, in which the influence of Andrea del Sarto, whose frescoes he copied in the Chiostro dello Scalzo, is clear. On 26 February 1599 he was admitted to the Accademia del Disegno and in 1605 went to be with Passignano in Rome for six months, greatly enriching his artistic experiences through this contact. He returned to Florence in the same year and, on Pagani's death (1605), completed his master's unfinished works with great success. Pagani's influence can be seen in the bright colours of Rosselli's Adoration of the Magi (1607; Montevarchi, Arezzo, S Andrea). To 1610 belong two monochrome paintings depicting Henry IV at Nantes and Henry IV at Gaudebec